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More About Woman

 

Dita Rietuma: Power of women

A review by Dita Rietuma (most prominent Latvian film critic) in
Diena (leading Latvian newspaper), September 26, 2002

(excerpts)

... In the context of Baumane's body of work that is composed also of her "dirty" films made in United States -- I'd call them "erotic trifles" (those were included into "Spicy Animation" programm of Annecy Animated Films festival, the most prestigious festival of animated films), Woman seems to be laconic, proper and conceptually gathered -- without unnecessary liberties or desire to shock for mere sake of a shock. Still Baumane is fascinated with woman as a center of Universe -- at least in Baumane's animation universe. Every frame of Woman is a finished, visually and pictorially expressive picture, the message of the film, open and inviting to poetic interpretations.

The summer of "Woman", spent in Riga, has been fruitful to director and artist Baumane -- she produced one of her best films, unforced, free from self indulgent provocations, a film that to my mind will appeal to selection committees of film festivals all over the world.

 

Signe Baumane: Further Explanations....

Woman is intended to be like a dream -- full of symbolic archetypical images -- the meaning of which you can't quite grasp while experiencing the dream. These images are intended to affect your subconscious rather than consciousness.

With the help of Carl Jung I'll try to interpret the symbols.

The woman is poured out of Moon -- no coincidence in this -- the parallel relationship between the Moon and the Woman has been established in many cultures throughout times. After finishing the pouring, the Moon changes from Full (round) to New Moon (with horns). The Moon is never constant, it's form is always changing, like the mood of a woman.

The woman has the shape of a cocoon -- a transitory form, not an ultimate shape, this suggests a journey towards completion. Cocoon is a symbol of her potential.

She is then surrounded by four red wingless birds. Four is the number of unity of Self. A bird usually is a symbol for spirituality because it connects Earth and Sky by flying high but nesting on ground. The birds surrounding the woman have no wings -- they represent female spirituality which is rather practical, earthy, grounded. Red is the color of passion, of Love.

A wind blows a butterfly (that itself has come from a cocoon) into womanıs face and sets her in motion, it's a signal to move and fulfill her potential.

The Moon follows her.

The birds carry and leave the woman on a red bull's back. The bull is a symbol of male power. It possess earthiness, the red of passion, horns just like the New Moon.

The bull runs into Tower, which is Goblet of Life.

The water is woman's element. Is symbolizes fluidity of emotions, bottomless depths of woman's subconscious. No man should ever walk in there. The first encounter: a man with a bear inside throws stones into water. Woman whose shape has totally changed -- she has acquired the red of the birds and the bull, and the horns of the bull and the New Moon -- appears from the water and lures the man to come to her.

The bear, the animal side of man, the LUST, looses control of himself and walks straight into water where he drowns both himself and the man. The dangers of pure physical lust.

The second encounter: a bear with a man inside. The man is able to establish an eye contact with the woman. A spark of Love flies between them.

He is able to get the woman out of water and touch her. It is the beginning of Love.

The Potential of the Woman -- cocoon in the beginning -- has been realized -- she has done harm (unwillingly) and she has brought good. Other bulls keep running into the Tower. Potential collides with Life.

The story of Life is a story of Love and Death, and it endlessly repeats itself with each new generation with each individual.

 

ETAOIN
February 25, 2005