Studio News from John, Part 12: Finished props

I posted the first look at some props from "My Love Affair With Marriage" back in November, (Studio News Part 7) and since then many of them have been painted, so here's an update on how they look now.

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Here's that big cat head, which turned out to be a cat-shaped room..  

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Here's that bathtub shape, which evolved into a man with a bathtub-shaped body, and it's full of eyeballs. I'm sure there's a reasonable explanation for that. 

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This is that character that I said looked like he had a "split personality".  I guess I was right, and two heads are better than one. 

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And here is that figure carrying the suitcase and bag, he's got spiky hair and green skin now.  

Intriguing?  Of course!  It will be very interesting to see what roles all of these paper-maché figures play in the final film of "My Love Affair With Marriage".  

Studio News from John, Part 11: Noise complaints / Studio renovations

When you live and work in New York City, a certain amount of noise is to be expected.  After all, as Paul Simon once sang, "One Man's Ceiling is Another Man's Floor."  I suspect Mr. Simon was using metaphor, but on a very practical level, he spoke the truth about people living together in close quarters.  (Why do they call them "apartments" if people are so close together?)  And by extension, almost every wall is someone else's wall, too - and on the other side of that wall, someone is probably learning to play a musical instrument.  

In Signe's building, her studio is right next to a recording studio, and this situation is just not conducive to a quiet, creative atmosphere.  Mostly this studio specializes in hip-hop music, which I personally don't listen to or appreciate, and this music is very focused on a driving, throbbing, shake-the-walls kind of beat.  Furthermore, it caters to a certain clientele that to fully appreciate the nuances of the music, has to engage in a certain herbal supplement.  (To me, if you have to get high to appreciate the music, there might be something wrong with the music, but hey, what do I know about it?)

So this has created a situation where the noise from next door is incessant, and the smell is often nauseating, and over the last few months has grown worse and worse, creating an interminable distraction that is simply not conducive to a creative atmosphere next door.  

There have been many conversations with the neighbor, ranging from friendly to combative, everything from the simple suggestion to use headphones to an attempt to coordinate schedules, so that the music (theoretically) wouldn't play during animating hours, or conversely so that animating hours could take place when the music isn't vibrating through the walls.  Then there were months of playing loops of forest noises:

rushing water:

and music found on YouTube that's designed to make us all smarter:

And happier:

in vain attempts to counteract, or at least overtake, the noise coming from next door.  Nothing has worked.  

The terms of the building's lease are, in my opinion, quite clear.  Every tenant in the building is responsible for controlling the noise AND odors coming from their space - and this applies to cooking odors as well as "baking" odors, legally there is no distinction between the smell of pots for cooking and pot for smoking.  Every single tenant has the right, according to the lease, to a peaceful working environment, and a responsibility to not interfere with the peaceful working environment of others.  But repeated calls to the landlord have not resulted in any punitive action, or change in the noise level.  Furthermore, it's the financial responsibility of a sound studio to employ proper sound-proofing, from a legal standpoint if not a neighborly one.  

The lease also forbids excess vibration caused by excessive noise - in the long term, this is much more potentially damaging to the building's structure than the noise itself.  

So, where does this lead?  Right now the solution seems to be to seal up all the gaps in the wall, to prevent any fumes from passing through (because apparently NOT smoking pot all day is unenforceable and therefore out of the question...) and to build another layer of wall on THIS side, with special sound-proofing panels that look terrible, but hopefully will cut down on the vibration passing over. 

The workers are here today installing them:

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This meant removing EVERYTHING from this long wall - the shelving, the pictures, the art, and moving the desks and cabinets to the middle of the room, and then after we'll have to move everything back, then look at this industrial, brown/grey paneling going forward.  It's a terrible sacrifice to give up an entire wall of the studio just for soundproofing, and we're not entirely sure if the panels will even have the desired effect, to reduce the noise from next door.

It seems like this is the last resort, in order to get back to a situation where Signe can once again focus on her animation, and not have to blare the sounds of a forest environment all day, just to cancel out the music coming from next door.  For the sake of sanity and the creative process, this is what has to happen.  It's a point of fact, nobody ever complains about having a studio next door to an animator - you never hear anyone say, "Why is my neighbor always DRAWING so loudly?"  Plus I've found over the years that animators are usually very quiet people who tend to, or are forced to, keep largely to themselves.  

Studio News from John, Part 10: Zelma's Bedroom

Time for an another update on the production of "My Love Affair With Marriage".  

A new set is in front of the camera now, and it's Zelma's bedroom set.  A couple of months ago, here is what the set looked like: 

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And now the walls have been painted, the wardrobe has been moved to the other side of the room, Zelma's bed has been added, and the room now has a window, which is great because it was getting a little stuffy in there, and the room really needed some more natural light.  Here's what the bedroom set looks like now:

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Here are some details about the room.  The walls appear to have plant-like tendrils on them, this is in sharp contrast to the straight lines of the walls, and this symbolizes the struggle between Zelma's natural, organic emotions and the rigid constructs of society.  Zelma is a teenager at this point in the story, and she's not sure what to do with emotions like love, and where those emotions are going to lead her.  Will she follow the conventions of society, and follow a straight path, or will her emotions take her on a more roundabout journey?  

If you notice here, there is moonlight coming in the window and hitting Zelma's bed.  This is more symbolism, since Zelma's body has begun following a certain monthly cycle, and what else follows a monthly cycle?  That's right, the moon.  

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And no, Signe didn't forget to clean up the set.  There are some clothes on the floor, and others in the wardrobe.  Again, a contrast between the order of society, with clothes on their hangers, and the free-spirited habit of leaving clothes on the floor.  (And here you thought your kids were just lazy - they're really just expressing their individuality!)  

Right now, Signe and Sturgis are doing some camera tests to shoot the background at several different angles and with different lighting (for different times of day).  

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Stay tuned for more production updates from the set!  

Studio News from John, Part 9: Patient Zero

Our studio has been ravaged by the flu bug that's been going around - which came as a bit of a surprise, because although I was sick for the whole month of January, I had no idea that it was THE FLU - the one that is dominating the current news cycle.  And apparently, I'm the "Patient Zero" of the studio.

It's typical for me to catch at least one cold each winter, and it's also typical for that cold to get down deep into my lungs and live there for a month or so, giving me a hacking cough for a few weeks, even after I don't feel sick any more.  And I never had that "someone, just kill me" feeling that we often associate with the flu.  So the question I faced during January was "Do I go in to work, or not?"  Nobody wants to get their co-workers sick, so that's an argument for staying home.  But everybody also wants to be needed and productive, so that's an argument for going to work, especially since I manage two animation studios, both Signe's and Bill Plympton's.  That's a lot of people to contaminate.  

I think they recommend now that if you have the flu, you should stay home - and if it's just a cold, you should go to work (but take note of what you touch, try to sneeze into your inner elbow, all of this is good practical advice.).  But what should you do when you feel like you just have a cold, but it turns out you have THE FLU?  As you can probably guess, I felt all right after a few days, but I was probably still highly contagious.  

About a week after I got sick, my wife did too - this happens every winter, too, and she's so tired of it happening that I'm a little surprised she still puts up with me.  But I say that for a lot of reasons.  Then some interns at Bill Plympton's studio started sniffling, and I could feel that I'd be blamed soon for causing work to grind to a halt, since any animation studio is powered by interns.  And because Signe and I eat lunch together twice a week, I suppose it was inevitable that she'd start to show symptoms, too.  (She did...)

In my defense, I DID get a flu shot last year, though I usually don't.  But I'm at the age where the doctor is starting to insist on it, since the flu is particularly hard on the infants and the elderly.  (I'm getting close to the latter.)  But here's the thing about the flu shot - there are different strains of flu, and the CDC has to predict each year which strain is going to be prevalent a few months down the line, in order to produce enough flu shots to go around.  They are NOT always correct, which I suspect has led to the current outbreak.  Or perhaps they WERE correct, and keeping one strain of flu in check allowed another, more unpredictable or more resilient strain to ravage the U.S. population.  All actions on the viral level have consequences.

And then Signe went to visit Sturgis in Maine, where he's appearing in a stage production of "Babette's Feast" and of this writing, he's still dealing with the flu, and so are a couple other actors.  Sturgis went to see a doctor, and the tests confirmed he had the flu, and finally someone was given some medicine to start fighting this thing.  But if you're in the Portland area and your enjoyment of a stage production was spoiled by a lot of coughing and sneezing among the cast, I take full responsibility.  

After about a month with the cold (or flu, whichever) I didn't feel sick any more, but I still had a terrible sore throat that lasted for another two weeks. Then I started having trouble with my hearing - which makes sense, because a person's ear, nose and throat are all connected, so it seems that after a while one starts to affect the other.  I started to hear this low thumping sound that sounded like it was coming from outside, like if every car on the street ran over the same loose manhole cover, and it kept happening again and again.  When I sat in my living room and watched TV, it would sound like the neighbor next door was learning to play the bass guitar, only he was just playing the same note over and over.  It got worse until it became this constant low hum, like there was a big piece of machinery on the other side of the wall, and I thought maybe my house's heating system wasn't working right, and maybe the house was getting ready to explode.  

Now, Signe's studio has a problem with a noisy neighbor - there's a sound studio next door that doesn't have enough acoustic sound-proofing, so sometimes there's this loud vibration from hip-hop music, and of course they've always got the bass turned up very high.  (They're all about that bass, no treble...)  We hear that all day long sometimes, and on some level we get used to it, even though it NEVER STOPS.  But when I started hearing similar thumping vibrations at home, I first thought maybe my ears were still ringing from my time at the studio.  The funny thing was that my wife couldn't hear the thumping sound, or the loud hum, so I eventually figured out that it was coming from my own head.  That's when I finally dragged myself to my doctor to get checked out.  

I got my hearing checked, and it turned out that I have lost some hearing in my right ear, which explains why I'm always moving my phone over to my left ear to hear better.  But I can't hear some of the higher frequencies now, and that by itself doesn't explain why I was hearing loud low noises at home that nobody else can.  Tinnitus usually manifests itself as a high-pitched ringing in the ear, not a low thump or low hum.  So they put me on medicine to reduce my blood pressure, which has always been somewhat high, but never in the "danger zone".  The thumping I've been hearing could be related to blood pressure, or it could be a leftover from the month-long cold, I'm not sure yet.  

First the doctor gave me ear drops, just in case there's a whole bunch of wax build-up in there, but after putting in the drops, I was supposed to rinse my ear out a few minutes later with a rubber syringe.  I did that, and I managed to clog my ear even worse with water, so I had "swimmer's ear" for a few days last week.  That meant I couldn't hear well out of EITHER ear, and everything sounded like I was at the bottom of a pool.  Before enrolling in sign language class, though, I tried everything I could to unclog the left ear, and finally got it to pop open.  But there's still something not right with the pressure in my head, because the ear still feels like it wants to close up shop every night, and I have to get it to open up each morning.  

The news is still listing the casualties of this year's flu season, and I'm hoping heads will roll when everyone realizes how ineffective this year's flu shot was, but at least "Patient Zero" is on the road to recovery.  

Happy Valentine's Day!

Today's Valentine's Day! My sweetheart is away, so I will wash my studio floors tonight. 

The part of my brain in charge of words have been asleep lately. I can't think of any clever lines to say to other people's jokes, I am pretty bad explaining tasks to my workers and I cannot write well (that's why rarely write on my blog). Maybe because in the last few months I worked mainly with images?

So, to express my love for you on this special day I used images and made some Valentine's Day cards.

Love is like a straitjacket - when you can't flail your arms around you may learn to accept your destiny of being crazy in love. 

Love is like a straitjacket - when you can't flail your arms around you may learn to accept your destiny of being crazy in love. 

When we climb insurmountable mountains we always bring a flag with us, to claim our victory on behalf of the country we are from. How about a flag that represents all humans able to love and be loved in all countries?

When we climb insurmountable mountains we always bring a flag with us, to claim our victory on behalf of the country we are from. How about a flag that represents all humans able to love and be loved in all countries?

Love doesn't compete. Love wins.

Love doesn't compete. Love wins.

Would you rather jump the Triple Axel and win the gold at Olympics or cuddle with your sweetheart tonight? I know the answer to this one.

Would you rather jump the Triple Axel and win the gold at Olympics or cuddle with your sweetheart tonight? I know the answer to this one.

Happy Valentine's!

 

Studio News from John, Part 8: Fighting Scammers

As production continues on "My Love Affair With Marriage", there's not a whole lot for me to do while Signe is drawing, except to send out the W-2 forms to the actors who performed voice-overs (and who are all legally considered employees, as I mentioned in a previous post) and also 1099 forms to the vendors like the sound studios, the film's editor and consultants.  

So I've been spending my days on other matters - like getting stills and work-in-progress photos sent out to someone who wants to write about the making of "Rocks in My Pockets" in his book, or making sure that Signe's recent trips were properly credited to her frequent-flier mileage accounts.  And it seems a good portion of my day is now spent fighting spammers and scammers.  

Spammers are easy, I can deal with unwanted e-mail by marking mail for my "junk" folder, or by unsubscribing from as many lists as i can.  Then there are the phone calls, and I can't remember the last time someone called the studio and didn't offer to get us a better deal on our internet service, or get us to the front page of some Google list in some way or another.  

Do you remember the last time you were excited to get a phone call?  I think back about 20 or 25 years ago, when everyone started getting cell phones, for a while the attitude was, "Hey, someone's calling me on my cell phone, isn't that great?"  But these days it's more like, "Who the hell is calling me on my cell phone?  They've got some nerve..."  

Then there are the e-mails you get when your web-site has a contact form of any kind.  The spambots travel the interwebs, looking for these contact forms, and when they find one, they send you an e-mail that says something like, "Hi, I saw your web-site and I like it a lot!  But I can help increase your traffic by adding a link to it from my site.  Will you please do the same?" and these are pretty easy to spot because they're so generic, they don't make any specific references to WHAT they saw on the web-site, and the marketing they're offering is incredibly vague as well.  

But Signe got a spam that offered her $500 per month if she would run ads on her web-site, and she asked me to look into it.  She said she had a dream where somebody paid her money every month to do nothing.  I had to tell her that I didn't think it was real, that it was probably a scam just to get her to follow a link, and that spammers prey upon people like independent filmmakers with fantasies of easy money.  God knows what could have happened if she followed that link, the next thing we know, her computer could be infected with malware and her bank information's been passed off to Albanian hackers who will gladly transfer away all of her money to Russia. 

So now we've circled the wagons here, and we're trying to defend ourselves as best as we can, but the struggle continues every day.  Last month we were had an issue with the new scanner, and Signe asked one of our interns to find out if the scanner could output directly to Photoshop, which would speed up the process (and with 145 scenes to scan, any streamlining of the process would be an incredible help.)  The intern Googled "Epson scanner" and called the first phone number that came up, then before we knew what was happening, she had granted someone remote access to Signe's computer, and they were telling her that the computer was full of viruses and we needed to pay $100 for software that would clean it up.  Great, except that wasn't the issue she was asked to research, and I don't think she called the real Epson help line.  Thankfully, we didn't give out Signe's credit card number.  

These days, you can't trust a link that will protect your computer from viruses - when chances are good that following that link will GIVE your computer a virus.  What a scam, right?  First they infect your computer then they charge you $100 to get rid of it.  It might even be funny if it weren't so horrible.  The internet is like the new Wild West, it's a lawless place.  Having unprotected sex with a stranger is probably more virus-free than following a link on your computer. 

Sturgis got an e-mail reminding him to renew the domain registration for KickstartMarriageFilm.com - which is a URL we used during the Kickstarter campaign last year to help promote the fundraising efforts.  Since Sturgis is away in Portland, Maine appearing in a play, he asked me to look into it and renew the domain, since we may need it again in the future.  I'm going to re-print the e-mail here as a public service to illustrate our problem.  Can you spot the indications that this e-mail is NOT legit? 

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The first tip-off that something wasn't right was that link at the bottom - I clicked on it and it led me nowhere, to an invalid page.  I know, I shouldn't have even clicked on a strange link, I was really living dangerously there!  But what the heck is "Sochi2018"?  The winter olympics were held in Sochi, but in 2014!  And Sochi's in Russia, does this mean that Russian hackers are really trying to trick us?  

The second clue that something wasn't right was the return e-mail address, which has an "AU" at the end, short for Australia, and looks like it comes from some kind of travel club.  What does that have to do with domain renewal?  

The third clue is the "call to action" with the tight deadline and the veiled threat - if we don't respond to this notice by January 20 (and it was sent on January 19) we could LOSE THE OFFER, and by implication we could then lose the domain if we don't act RIGHT AWAY.  

Finally, after staring at this e-mail for about 10 minutes, I realized there was nothing legitimate about it at all.  Nothing added up, it made no sense and I had to conclude that it wasn't real, just spam.  Somebody looked up the domain registration via WHOIS and found a web-site that was up for renewal in a few weeks, and decided to send an e-mail to the owner on file, Sturgis, and try to get him to follow a link, or maybe renew the web-site with THEM instead of the company he initially registered it with.  

I went to the file cabinet and found the receipt from the initial domain registration, which was made through GoDaddy.com - and not some travel club site in Australia, as it turns out.  Sturgis gave me his GoDaddy account information, and I signed on to find out that the domain was due to expire on February 5 (NOT January 20) and was already scheduled for automatic renewal, so there was no need to panic, or follow strange links from spam e-mails.  

Right now we're not really using that domain, and going there just re-directs the user to Signe's main web-site.  But we could use the domain again in the future if we run another fund-raising campaign.  So we don't want to lose it - we could transfer it to Signe's SquareSpace account, but that takes about 12 or 13 steps, you have to unlock the domain, request an authorization code, review the DNS and privacy settings, etc.  It's easier just to let automatic renewal happen and then we can re-visit the hosting issue this time next year. 

On a related note, after the Kickstarter campaign was over last February, Signe and Sturgis wanted to move forward with making a new web-site for the film "My Love Affair With Marriage" and they decided that the simplest URL to register would be www.myloveaffairwithmarriage.com - makes sense, right?  Only they found out that this URL was already taken.  How was this possible, was there another movie being made with the same exact title?  

This is where I stepped in to do a bit of internet sleuthing - because we can use the WHOIS domain look-up in reverse too.  I found the name and contact information for the person who registered that domain, and they just happened to do that right in the middle of the Kickstarter campaign.  I also found out this person had registered several other domains, all of which had names similar to projects that were hot on Kickstarter last January.  She saw the KS campaign for the Yobo Hammock Stand, and she registered yobohammockstand.com - she saw the KS campaign for HANA Luxury Playing cards, and she registered hanaluxuryplayingcards.com - she saw the KS campaign for Tempus Spin Coin and she registered tempusspincoin.com.

Ah, so it seemed we were dealing with a Domain Squatter, someone who buys up a bunch of domains cheaply in hopes of selling them back to companies for a profit.  It turned out she had registered 57 domains, none of which were active.  She may have registered the URL discodogvest.com but the makers of that product decided to sell their merchandise with the URL "http://discodog.nyc" instead.  Good for them. 

Signe called the Domain Squatter (I won't print her name here), who said she needed that domain to help promote her line of pet food.  Right, because you see a lot of dog food these days with names like "My Love Affair With Marriage"... Does that sound like it comes in beef flavor, or maybe chicken?  Anyway, Signe offered her $100 for the domain name, but it seems like there was a difference in opinion over the URL's value, the Squatter figured it was worth $8,000 instead.  Again, it's the Wild West out there, with no laws against this sort of thing. 

Signe declined the Squatter's offer, she figured we could always use a slightly different URL, like www.myloveaffairwithmarriagemovie.com, or another similar variant.  But the good news is it's almost one year later now, and that domain will be coming up for renewal, so perhaps she won't renew it.  Since we last spoke to her, the Squatter appeared on ABC's "Shark Tank"  to pitch her line of dog food.  I haven't seen the episode yet, but maybe the Sharks offered her a deal, and she can now get out of the business of shaking down filmmakers and hammock makers by buying up the web-sites they might want and selling them back at 80,000% mark-up.  We should find out in a couple weeks.  

No lie, as I typed this up, there was a knock on the studio door.  Someone's knocking on every door in the building, handing out his business card for his printing services.  Compared to the people who are sending us phony e-mails and robocalls EVERY DAY, there was something about this guy that was refreshingly honest.  Unless, of course, he was casing the building for places with no security systems that he could come back and rob later.  Am I being too paranoid? 

Come to think of it, he did look a little bit Albanian...

From My Sketchbook: Bucket

Every day I sit at my work table and try to produce or to shadow as many drawings as I can. At the end of the day I maybe have drawn 70 drawings but have no satisfaction of accomplishment - finishing the project is still 2 years away.

To remedy my satisfaction blues a year ago I started a sketchbook that I draw into after work, on subway. The rules are pretty simple - don't be afraid to fail, draw any lines that hand wants to draw, then make a finished drawing of that mess. Show to no one.

I filled one sketchbook and started another one. But a nagging thought kept creeping into my head: if I make a drawing in my sketchbook and no one sees it, does it really exist?

To assure the existence of my sketchbook, I am bringing one drawing outside of it, for you to see:

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Now, there. It exists. 

 

Happy New Year!

It is clear now - the 2017 was like a drunk gift-delivery driver. You watched it with hope and anxiety: will it run me over? will it remember to give me gifts? Running away from being hit while trying to get closer to the gifts was quite a task. But we managed it, somehow.

Now we wake up in the middle of night with a new anxiety. It has become obvious that 2018 is not going to be the same as 2017. The needles have moved, the accustomed points of references discarded. New piñatas are craving the abuse. Will I avoid suffering? Will I succeed to eat, work and be merry?

Facing my old fear in front of uncertainty of future, I drew 4 cards for happy 2018:

The New Year is like a garden that only you can make bloom.
The buckets of 2018 are full. What's in there?
I'll build a new house
2018 is made of ice and snow

Happy New Year!

With love and gratitude

Signe

 

 

Happy Winter Solstice! (with failed cards)

Every 6 month there is a major Solar event that I dedicate a great deal of my thoughts and efforts to: Solstice. Solstices punctuate my bipolar nature swinging from too much darkness to too much light. To celebrate this awareness I make greetings cards, sometimes more than just one. 

This December I drafted 8 of those Merry Winter Solstice cards, 6 of them you can see HERE.

But 2 of them I had doubts about and consulted with my Inner PR person.

- Too phallic, - she said about one. - In this political climate golden balls attached to a golden penis is the last thing people want to see. 

- This is too dark, - she said about the other. - And what are those little hairs between the legs? Too suggestive of pubic hair. It will upset parents and will ruin your reputation. If you publish this you may never be able to run another successful Kickstarter campaign.

So I didn't publish them when the Solstice took place.

But the effort that went into making them kept nagging me. Now when my Inner PR person sleeps on her soft nest of laurels I am publishing the drawings for you to judge if they are too dark and too suggestive. What do you think?

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