Post-Election Travel

Where do you go when the world around you is collapsing? You usually go to see your Mom in vague hopes to return to her womb and stay there until the bad weather blows itself out on its own.

So I packed 7 t-shirts and went to see my family in Latvia. They were happy to see me, dotting, fretting and cooking local delicacies for me. I ate elk meat sausages steeped in duck fat and when the family went to sleep, I stayed in the kitchen checking emails on my laptop and the panic inducing news about the president-elect forming his new cabinet.

But before long my secret was out.

- You used to make films, - my Dad said one morning. - Now all you do is read about politics.

- Why your laptop is open again? - my Sister asked at the second breakfast. - All those political news are making you sick.

- You know too much about politics! - my Mom shouted before lunch. - This does you no good. I can see clearly - it is an addiction. Stop it!

I cried and I argued that this was my vacation, that I also sometimes check business related emails and that social media is part of what I do as an artist. But more I cried and defended myself, more it became obvious to my family that I indeed had a big problem. They advised to fight the addiction. So I closed the laptop and didn't work on the Thanksgiving blog post I wanted to write.

They were right - all that crying I did in private during nights definitely was not healthy. Something inside me was falling apart to correctly reflect the falling apart world outside me.

Then I went to Poland, to Etiuda&Anima festival in Krakow.

It is a festival dedicated to juxtaposing animated films with live action and documentary etudes, with a special focus on students and their needs. I was at the festival in 2015, doing a presentation called "Autoportraitwhere I had to draw and show my creative process in front of 120 people. A nerve-wracking experience because I am no good at drawing (especially not in front of other people!) but the festival liked it and invited me back with "Rocks In My Pockets". They also asked me to compile and present 3 programs of the best New York animated shorts.

So now I was in Poland, a country that a year before had similar election results as we just had in USA. Instantly, politics became the main subject of any conversation I had. I wanted to know how Polish people, especially women, cope under a very conservative government.

- The politicians are changing the laws, so that is very bad, - one person explained. - But on every day level, the institutions and organizations like universities, festivals, support groups etc are still there, so you don't run into black holes of cultural destruction.

- Did you participate in the women's protests in early October? - I asked a young festival volunteer. The Black Monday had inspired me and gave me a hope that we can do something if important laws we care about are going under an axe.

- You bet I did! - she said. - I don't like abortions but banning them is not a solution, so I had to join the protest. And we won!

- The women won the Black Monday! - I told to a levelheaded projectionist. - So we, people, have power.

- Yes, but it was only one law, - he said glumly. - The government is repealing 100 laws a day and there is nothing we can do. Can't protest every day.

Nearly every screening at the festival was packed and films were excellent. The Best of New York Animation program had a great audience, too. In solidarity with Polish women I wore black each day at the festival. Maybe one day we'll need Polish women to show solidarity with us. What would be the color of our protest?

Presenting Best of New York Animation program at Etiuda&Anima

Presenting Best of New York Animation program at Etiuda&Anima

Surprisingly, a lot of people showed up for "Rocks In My Pockets" screening.

Crowd gathers at Kijów Centrum cinema before "Rocks In My Pockets" screening

Crowd gathers at Kijów Centrum cinema before "Rocks In My Pockets" screening

I was pleased, but also stressed out. What if those nice people hate the film?

- Why are you here? - I ask "Rocks In My Pockets" audience. - Why do you want to see a funny film about depression? Don't you have better things to do?

- Why are you here? - I ask "Rocks In My Pockets" audience. - Why do you want to see a funny film about depression? Don't you have better things to do?

We, as a society, are only as good as our artists who challenge us, train us to think critically. The moment artists stop to cry at nights about election results and stop caring about something other than their own success and creature comforts, we are screwed. 

But we also need festivals like Etiuda&Anima that are crucial meeting points between artists and audience. It probably works in little steps, too small to see from Space, but it is good to know it is there.

THANK YOU, Etiuda&Anima, for your work!

 

 

How to Close the Gap Between Animator and Audience

Have you been at an animation screening where afterwards audience members walk towards the exit whispering to each other: - That was the dumbest shit I ever saw?

I've always wondered why there is such a disconnect between the animators making their films and the audiences who deem their work stupid. Yes, we, animators, mostly live in our heads where anything is possible and we mostly mingle with other animators who get our strange sense of humor and even encourage it. But why can't 'normal' people get it, too? Why is so difficult for them to open their minds to stuff that is bizarre and surprising in an abnormal way?

Thankfully, there is now a film festival that is working on closing this abyss of misunderstanding between animators and audiences. To make sure no one missed the point of the festival it calls itself The Dumbest Sh!t I Ever Saw , priding to be the animation anti-festival. It is organized by two super talented animators Joy Buran and Noelle Melody who are not averse to strange and bizarre on top of having an excellent sense of humor.

I made several very short films for the festival, because it is fun to make something without feeling the scorching breath of an audience on your neck: - Is this good enough? Is this funny in the 'normal' way? Is the story 'clear' enough? Does this have a purpose? etc

Fuck it. Sometimes I just want to be free and make shit without any concern for comprehension of others.

So, here it is, one of my shorts: "The Origin of the Words". If you don't get it, it's OK. It's only 22 seconds short and you can move on towards the rest of your life. But if you'd like to know what this film means, ask in the comments, I'll be happy to explain. Thank you!