Meet Our Studio Interns!

The one thing I enjoy about having interns at my studio is having lunches together. After hectic mornings of building sets, animating, writing exposure sheets or coloring in separate corners of the studio, we all come together at one table to eat, talk and laugh. These moments of getting to know my interns feel precious to me. The side effect of bonding with interns is that I feel sad when they have to move on. 

Frankelly has interned at the studio since January and today is his last day. In the video below we ask him 3 questions and his answers may give you insight on how to get an internship and what internships are all about.

Please check out Frankelly's work here:

https://vimeo.com/user48729263

Thank you!

Signe

 

Meet Our Studio Interns!

Internships are tricky, just like any other kind of human relationships. You have to find the right match to make it work. 

Our studio operations are small - we have only 2 up-to-date computers. And I am very busy working on 27565 large and small details that make the film, which makes me regard the idea of having another person in the studio as a distraction. That's why we are selective about who we let in the studio. 

The two interns who started to work at the studio in January 2018 - Joon and Frankelly - came to the studio by chance and by the strength of their interview. Their hard work, confidence and competence, as well as their sense of humor made them an excellent match to our studio. 

This is Joon and Frankelly's last week at the studio. They both are graduating from their schools and the internship and I would like to introduce them to you.

Here's a video with Joon. I ask him a few simple questions. If you are curious how he got the internship and what value he sees in it, here're his answers:

Please check out Joon's work on his website:

http://www.jooniepark.com

Thank you!

Signe

PS On Thursday I'll post the video with Frankelly

 

 

Studio News from John, Part 12: Finished props

I posted the first look at some props from "My Love Affair With Marriage" back in November, (Studio News Part 7) and since then many of them have been painted, so here's an update on how they look now.

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Here's that big cat head, which turned out to be a cat-shaped room..  

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Here's that bathtub shape, which evolved into a man with a bathtub-shaped body, and it's full of eyeballs. I'm sure there's a reasonable explanation for that. 

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This is that character that I said looked like he had a "split personality".  I guess I was right, and two heads are better than one. 

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And here is that figure carrying the suitcase and bag, he's got spiky hair and green skin now.  

Intriguing?  Of course!  It will be very interesting to see what roles all of these paper-maché figures play in the final film of "My Love Affair With Marriage".  

Studio News from John, Part 11: Noise complaints / Studio renovations

When you live and work in New York City, a certain amount of noise is to be expected.  After all, as Paul Simon once sang, "One Man's Ceiling is Another Man's Floor."  I suspect Mr. Simon was using metaphor, but on a very practical level, he spoke the truth about people living together in close quarters.  (Why do they call them "apartments" if people are so close together?)  And by extension, almost every wall is someone else's wall, too - and on the other side of that wall, someone is probably learning to play a musical instrument.  

In Signe's building, her studio is right next to a recording studio, and this situation is just not conducive to a quiet, creative atmosphere.  Mostly this studio specializes in hip-hop music, which I personally don't listen to or appreciate, and this music is very focused on a driving, throbbing, shake-the-walls kind of beat.  Furthermore, it caters to a certain clientele that to fully appreciate the nuances of the music, has to engage in a certain herbal supplement.  (To me, if you have to get high to appreciate the music, there might be something wrong with the music, but hey, what do I know about it?)

So this has created a situation where the noise from next door is incessant, and the smell is often nauseating, and over the last few months has grown worse and worse, creating an interminable distraction that is simply not conducive to a creative atmosphere next door.  

There have been many conversations with the neighbor, ranging from friendly to combative, everything from the simple suggestion to use headphones to an attempt to coordinate schedules, so that the music (theoretically) wouldn't play during animating hours, or conversely so that animating hours could take place when the music isn't vibrating through the walls.  Then there were months of playing loops of forest noises:

rushing water:

and music found on YouTube that's designed to make us all smarter:

And happier:

in vain attempts to counteract, or at least overtake, the noise coming from next door.  Nothing has worked.  

The terms of the building's lease are, in my opinion, quite clear.  Every tenant in the building is responsible for controlling the noise AND odors coming from their space - and this applies to cooking odors as well as "baking" odors, legally there is no distinction between the smell of pots for cooking and pot for smoking.  Every single tenant has the right, according to the lease, to a peaceful working environment, and a responsibility to not interfere with the peaceful working environment of others.  But repeated calls to the landlord have not resulted in any punitive action, or change in the noise level.  Furthermore, it's the financial responsibility of a sound studio to employ proper sound-proofing, from a legal standpoint if not a neighborly one.  

The lease also forbids excess vibration caused by excessive noise - in the long term, this is much more potentially damaging to the building's structure than the noise itself.  

So, where does this lead?  Right now the solution seems to be to seal up all the gaps in the wall, to prevent any fumes from passing through (because apparently NOT smoking pot all day is unenforceable and therefore out of the question...) and to build another layer of wall on THIS side, with special sound-proofing panels that look terrible, but hopefully will cut down on the vibration passing over. 

The workers are here today installing them:

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This meant removing EVERYTHING from this long wall - the shelving, the pictures, the art, and moving the desks and cabinets to the middle of the room, and then after we'll have to move everything back, then look at this industrial, brown/grey paneling going forward.  It's a terrible sacrifice to give up an entire wall of the studio just for soundproofing, and we're not entirely sure if the panels will even have the desired effect, to reduce the noise from next door.

It seems like this is the last resort, in order to get back to a situation where Signe can once again focus on her animation, and not have to blare the sounds of a forest environment all day, just to cancel out the music coming from next door.  For the sake of sanity and the creative process, this is what has to happen.  It's a point of fact, nobody ever complains about having a studio next door to an animator - you never hear anyone say, "Why is my neighbor always DRAWING so loudly?"  Plus I've found over the years that animators are usually very quiet people who tend to, or are forced to, keep largely to themselves.  

Studio News from John, Part 10: Zelma's Bedroom

Time for an another update on the production of "My Love Affair With Marriage".  

A new set is in front of the camera now, and it's Zelma's bedroom set.  A couple of months ago, here is what the set looked like: 

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And now the walls have been painted, the wardrobe has been moved to the other side of the room, Zelma's bed has been added, and the room now has a window, which is great because it was getting a little stuffy in there, and the room really needed some more natural light.  Here's what the bedroom set looks like now:

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Here are some details about the room.  The walls appear to have plant-like tendrils on them, this is in sharp contrast to the straight lines of the walls, and this symbolizes the struggle between Zelma's natural, organic emotions and the rigid constructs of society.  Zelma is a teenager at this point in the story, and she's not sure what to do with emotions like love, and where those emotions are going to lead her.  Will she follow the conventions of society, and follow a straight path, or will her emotions take her on a more roundabout journey?  

If you notice here, there is moonlight coming in the window and hitting Zelma's bed.  This is more symbolism, since Zelma's body has begun following a certain monthly cycle, and what else follows a monthly cycle?  That's right, the moon.  

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And no, Signe didn't forget to clean up the set.  There are some clothes on the floor, and others in the wardrobe.  Again, a contrast between the order of society, with clothes on their hangers, and the free-spirited habit of leaving clothes on the floor.  (And here you thought your kids were just lazy - they're really just expressing their individuality!)  

Right now, Signe and Sturgis are doing some camera tests to shoot the background at several different angles and with different lighting (for different times of day).  

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Stay tuned for more production updates from the set!  

Happy Valentine's Day!

Today's Valentine's Day! My sweetheart is away, so I will wash my studio floors tonight. 

The part of my brain in charge of words have been asleep lately. I can't think of any clever lines to say to other people's jokes, I am pretty bad explaining tasks to my workers and I cannot write well (that's why rarely write on my blog). Maybe because in the last few months I worked mainly with images?

So, to express my love for you on this special day I used images and made some Valentine's Day cards.

 Love is like a straitjacket - when you can't flail your arms around you may learn to accept your destiny of being crazy in love. 

Love is like a straitjacket - when you can't flail your arms around you may learn to accept your destiny of being crazy in love. 

 When we climb insurmountable mountains we always bring a flag with us, to claim our victory on behalf of the country we are from. How about a flag that represents all humans able to love and be loved in all countries?

When we climb insurmountable mountains we always bring a flag with us, to claim our victory on behalf of the country we are from. How about a flag that represents all humans able to love and be loved in all countries?

 Love doesn't compete. Love wins.

Love doesn't compete. Love wins.

 Would you rather jump the Triple Axel and win the gold at Olympics or cuddle with your sweetheart tonight? I know the answer to this one.

Would you rather jump the Triple Axel and win the gold at Olympics or cuddle with your sweetheart tonight? I know the answer to this one.

Happy Valentine's!

 

Studio News from John, Part 8: Fighting Scammers

As production continues on "My Love Affair With Marriage", there's not a whole lot for me to do while Signe is drawing, except to send out the W-2 forms to the actors who performed voice-overs (and who are all legally considered employees, as I mentioned in a previous post) and also 1099 forms to the vendors like the sound studios, the film's editor and consultants.  

So I've been spending my days on other matters - like getting stills and work-in-progress photos sent out to someone who wants to write about the making of "Rocks in My Pockets" in his book, or making sure that Signe's recent trips were properly credited to her frequent-flier mileage accounts.  And it seems a good portion of my day is now spent fighting spammers and scammers.  

Spammers are easy, I can deal with unwanted e-mail by marking mail for my "junk" folder, or by unsubscribing from as many lists as i can.  Then there are the phone calls, and I can't remember the last time someone called the studio and didn't offer to get us a better deal on our internet service, or get us to the front page of some Google list in some way or another.  

Do you remember the last time you were excited to get a phone call?  I think back about 20 or 25 years ago, when everyone started getting cell phones, for a while the attitude was, "Hey, someone's calling me on my cell phone, isn't that great?"  But these days it's more like, "Who the hell is calling me on my cell phone?  They've got some nerve..."  

Then there are the e-mails you get when your web-site has a contact form of any kind.  The spambots travel the interwebs, looking for these contact forms, and when they find one, they send you an e-mail that says something like, "Hi, I saw your web-site and I like it a lot!  But I can help increase your traffic by adding a link to it from my site.  Will you please do the same?" and these are pretty easy to spot because they're so generic, they don't make any specific references to WHAT they saw on the web-site, and the marketing they're offering is incredibly vague as well.  

But Signe got a spam that offered her $500 per month if she would run ads on her web-site, and she asked me to look into it.  She said she had a dream where somebody paid her money every month to do nothing.  I had to tell her that I didn't think it was real, that it was probably a scam just to get her to follow a link, and that spammers prey upon people like independent filmmakers with fantasies of easy money.  God knows what could have happened if she followed that link, the next thing we know, her computer could be infected with malware and her bank information's been passed off to Albanian hackers who will gladly transfer away all of her money to Russia. 

So now we've circled the wagons here, and we're trying to defend ourselves as best as we can, but the struggle continues every day.  Last month we were had an issue with the new scanner, and Signe asked one of our interns to find out if the scanner could output directly to Photoshop, which would speed up the process (and with 145 scenes to scan, any streamlining of the process would be an incredible help.)  The intern Googled "Epson scanner" and called the first phone number that came up, then before we knew what was happening, she had granted someone remote access to Signe's computer, and they were telling her that the computer was full of viruses and we needed to pay $100 for software that would clean it up.  Great, except that wasn't the issue she was asked to research, and I don't think she called the real Epson help line.  Thankfully, we didn't give out Signe's credit card number.  

These days, you can't trust a link that will protect your computer from viruses - when chances are good that following that link will GIVE your computer a virus.  What a scam, right?  First they infect your computer then they charge you $100 to get rid of it.  It might even be funny if it weren't so horrible.  The internet is like the new Wild West, it's a lawless place.  Having unprotected sex with a stranger is probably more virus-free than following a link on your computer. 

Sturgis got an e-mail reminding him to renew the domain registration for KickstartMarriageFilm.com - which is a URL we used during the Kickstarter campaign last year to help promote the fundraising efforts.  Since Sturgis is away in Portland, Maine appearing in a play, he asked me to look into it and renew the domain, since we may need it again in the future.  I'm going to re-print the e-mail here as a public service to illustrate our problem.  Can you spot the indications that this e-mail is NOT legit? 

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The first tip-off that something wasn't right was that link at the bottom - I clicked on it and it led me nowhere, to an invalid page.  I know, I shouldn't have even clicked on a strange link, I was really living dangerously there!  But what the heck is "Sochi2018"?  The winter olympics were held in Sochi, but in 2014!  And Sochi's in Russia, does this mean that Russian hackers are really trying to trick us?  

The second clue that something wasn't right was the return e-mail address, which has an "AU" at the end, short for Australia, and looks like it comes from some kind of travel club.  What does that have to do with domain renewal?  

The third clue is the "call to action" with the tight deadline and the veiled threat - if we don't respond to this notice by January 20 (and it was sent on January 19) we could LOSE THE OFFER, and by implication we could then lose the domain if we don't act RIGHT AWAY.  

Finally, after staring at this e-mail for about 10 minutes, I realized there was nothing legitimate about it at all.  Nothing added up, it made no sense and I had to conclude that it wasn't real, just spam.  Somebody looked up the domain registration via WHOIS and found a web-site that was up for renewal in a few weeks, and decided to send an e-mail to the owner on file, Sturgis, and try to get him to follow a link, or maybe renew the web-site with THEM instead of the company he initially registered it with.  

I went to the file cabinet and found the receipt from the initial domain registration, which was made through GoDaddy.com - and not some travel club site in Australia, as it turns out.  Sturgis gave me his GoDaddy account information, and I signed on to find out that the domain was due to expire on February 5 (NOT January 20) and was already scheduled for automatic renewal, so there was no need to panic, or follow strange links from spam e-mails.  

Right now we're not really using that domain, and going there just re-directs the user to Signe's main web-site.  But we could use the domain again in the future if we run another fund-raising campaign.  So we don't want to lose it - we could transfer it to Signe's SquareSpace account, but that takes about 12 or 13 steps, you have to unlock the domain, request an authorization code, review the DNS and privacy settings, etc.  It's easier just to let automatic renewal happen and then we can re-visit the hosting issue this time next year. 

On a related note, after the Kickstarter campaign was over last February, Signe and Sturgis wanted to move forward with making a new web-site for the film "My Love Affair With Marriage" and they decided that the simplest URL to register would be www.myloveaffairwithmarriage.com - makes sense, right?  Only they found out that this URL was already taken.  How was this possible, was there another movie being made with the same exact title?  

This is where I stepped in to do a bit of internet sleuthing - because we can use the WHOIS domain look-up in reverse too.  I found the name and contact information for the person who registered that domain, and they just happened to do that right in the middle of the Kickstarter campaign.  I also found out this person had registered several other domains, all of which had names similar to projects that were hot on Kickstarter last January.  She saw the KS campaign for the Yobo Hammock Stand, and she registered yobohammockstand.com - she saw the KS campaign for HANA Luxury Playing cards, and she registered hanaluxuryplayingcards.com - she saw the KS campaign for Tempus Spin Coin and she registered tempusspincoin.com.

Ah, so it seemed we were dealing with a Domain Squatter, someone who buys up a bunch of domains cheaply in hopes of selling them back to companies for a profit.  It turned out she had registered 57 domains, none of which were active.  She may have registered the URL discodogvest.com but the makers of that product decided to sell their merchandise with the URL "http://discodog.nyc" instead.  Good for them. 

Signe called the Domain Squatter (I won't print her name here), who said she needed that domain to help promote her line of pet food.  Right, because you see a lot of dog food these days with names like "My Love Affair With Marriage"... Does that sound like it comes in beef flavor, or maybe chicken?  Anyway, Signe offered her $100 for the domain name, but it seems like there was a difference in opinion over the URL's value, the Squatter figured it was worth $8,000 instead.  Again, it's the Wild West out there, with no laws against this sort of thing. 

Signe declined the Squatter's offer, she figured we could always use a slightly different URL, like www.myloveaffairwithmarriagemovie.com, or another similar variant.  But the good news is it's almost one year later now, and that domain will be coming up for renewal, so perhaps she won't renew it.  Since we last spoke to her, the Squatter appeared on ABC's "Shark Tank"  to pitch her line of dog food.  I haven't seen the episode yet, but maybe the Sharks offered her a deal, and she can now get out of the business of shaking down filmmakers and hammock makers by buying up the web-sites they might want and selling them back at 80,000% mark-up.  We should find out in a couple weeks.  

No lie, as I typed this up, there was a knock on the studio door.  Someone's knocking on every door in the building, handing out his business card for his printing services.  Compared to the people who are sending us phony e-mails and robocalls EVERY DAY, there was something about this guy that was refreshingly honest.  Unless, of course, he was casing the building for places with no security systems that he could come back and rob later.  Am I being too paranoid? 

Come to think of it, he did look a little bit Albanian...

From My Sketchbook: Bucket

Every day I sit at my work table and try to produce or to shadow as many drawings as I can. At the end of the day I maybe have drawn 70 drawings but have no satisfaction of accomplishment - finishing the project is still 2 years away.

To remedy my satisfaction blues a year ago I started a sketchbook that I draw into after work, on subway. The rules are pretty simple - don't be afraid to fail, draw any lines that hand wants to draw, then make a finished drawing of that mess. Show to no one.

I filled one sketchbook and started another one. But a nagging thought kept creeping into my head: if I make a drawing in my sketchbook and no one sees it, does it really exist?

To assure the existence of my sketchbook, I am bringing one drawing outside of it, for you to see:

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Now, there. It exists.